Reviews and Articles: Vancouver Island MusicFest (Steve Harvey)
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Vancouver Island MusicFest (2003)
Article by Steve Harvey (July 2003)
Reading Mark Gregory's article on "Laying Siege to Empire" and the National Folk Festival, made me think of the last Vancouver Island MusicFest here in Courtenay, British Columbia.
This festival has grown from a small, locally-oriented festival to a large, and financially successful, festival that can attract some pretty big names (this year, for example, Robert Cray, Richie Havens, Chris Hillman, Pablo Moses and the Revolutionary Dream Band) I should hasten to add that they still make room for the considerable local talent that exists here.
I've been volunteering at the festival for the last five years and I always have a good time. My only complaints would be the amount of commercial advertising and sponsorship, and what has been the lack of a political element. I suppose one could argue about what constitutes 'political' music, but, of course, I'm referring to music where the lyrics contain a pretty "up-front" political element.
This year things changed in a subtle way, I believe. Well, having Anne Feeney and Chris Chandler is hardly subtle, I suppose! They were very well received and represented really the first performers at the festival to have a mainly political focus. Some other performers, however, represented varying degrees of 'political' content.
War Party, a First Nations (Canadian Indian) hip-hop group from Edmonton, Alberta gave a perspective from the viewpoint of First Nations youth. It was great to see the enthusiastic response that they got from the young people present. Many local young activists could be seen dancing energetically, front and centre. Also, having Andy Everson from the Comox Band give a greeting and blessing from the Comox people ( meaning the First Nations who were here when the Europeans arrived) from the mainstage was well done. Even Dya Singh, whom I suppose many Australians are familiar with, mixed a spiritual message with an ecological one.
Of course, Richie Havens, whom I've never thought of as a particularly political performer,and Pablo Moses and the Revolutionary Dream Band certainly have that aspect to them. As well, local performers such as Gordon Carter, Norbury and Finch, Todd Butler, and Sue Pyper have songs with a political message amongst their repertoires.
So, while there wasn't quite as much of the Feeney/Chandler-type material as I might have liked, there seemed to be a subtle shift in the nature of the festival and a welcoming response from those attending the festival.
While it's a stretch to hail this as the political awakening of the Festival, I certainly could feel a subtle flavour of Arundhati Roy's dictum to lay siege to Empire in all our creative ways possible. It's often in these joyful ways that the seeds of our ability to resist are planted.
Notes
Many thanks to Steve Harvey for permission to use this article on the Union Song web site.
Check out the Vancouver Island MusicFest website: http://www.islandmusicfest.com/
Wednesday, August 27, 2003
Monday, August 25, 2003
In Iraq, Labor Protest is a Crime August 25, 2003
By DAVID BACON
Iraq's legal code may be in disarray. The streets of Baghdad may be filled with thieves and hijackers who seem to have little fear of being arrested. But US occupation authorities seem to have no trouble identifying one crime, at least. For the four million people out of work in Iraq, protest is against the law.
By DAVID BACON
Iraq's legal code may be in disarray. The streets of Baghdad may be filled with thieves and hijackers who seem to have little fear of being arrested. But US occupation authorities seem to have no trouble identifying one crime, at least. For the four million people out of work in Iraq, protest is against the law.
Monday, August 18, 2003
That’s the night the lights went out in Brooklyn.
By: Chris Chandler
Boston, MA
08 15 03
How `bout this: I’m in a Sheraton hotel. That is because I was flying from our nation’s capitol to Montreal for a well deserved vacation. But due to the power outage in the Northeast – from Cleveland to Ottawa to Augusta to New York City – my connecting flight didn’t meet and I wound up here – in a luxury hotel on Delta’s tab.
The hotel is packed – all sorts of international travelers, most notably a 747 full of folks coming in from Istanbul.
For nearly 24 hours, New Yorkers have been without power. I was thinking: Well, maybe now if their water was cut – and then you interrupted the food supply – and you added foreign, non-English-speaking troops walking up and down every block – perhaps from a completely different culture – maybe wearing a fez, wooden shoes and Liederhosen (an image as foreign to us as that get-up George W was wearing on the deck of that aircraft carrier)… maybe then New Yorkers would start to get a glimpse of what life is like in Baghdad.
It is hard for us to imagine.
USA Today posted a photo of pedestrian commuters crossing the Brooklyn Bridge – and comparing it to 9-11. Everything gets compared to 9-11. Isn’t that why we checked into Motel Iraq? 9-11? Even though it is widely accepted that there is no connection, because Osama knew better than George’s son that Saddam’s secular tendencies did not resonate with his people. The Iraqi population is less likely to embrace the American concept of free-market capitalism than Saddam himself. Saddam always kinda liked the idea – if he could just gas his people into accepting the notion of drive-through windows.
So when Iraqis see how quickly we can get the lights back on in New York City, does it not follow that they should wonder if we are not dragging our feet intentionally in Baghdad? Or did they give Enron a deregulated deal on Baghdad Power and Light? Does anyone remember the rolling blackouts in California?
The Northeast was just slower at accepting deregulation than California. But still… it makes me wonder…
“Give em a few more weeks – then we’ll turn the lights on and they’ll think we are heroes.”
One seems to forget that the lights and water worked just fine before we started bombing.
Is our occupation all part of a coercion tactic to force Iraqis to trade in their turbans for Washington Redskins caps?
Bush guaranteed us that the U.S. – oops, I mean coalition forces – would check out of Motel Iraq when the Iraqis were able to elect a new government. But as it turns out, you can check out any time you like – but you can never leave.
Perhaps, instead of Operation Show Off Our Hi-Tech Weaponry, they should have sent Arnold Schwartzenegger in to “Total Recall” Saddam Hussein – put 672 names on a ballot and let them decide. But maybe that would have been more expensive – and maybe they would have wound up with the Iraqi equivalent of Arnold Schwarztenegger. After all, as Greg Palast has written, “Unlike Arnold Schwarzenegger, Gov. Gray Davis stood alone against the bad guys without using a body double. Davis called Reliant Corp. of Houston a pack of ‘pirates’ – and now he'll walk the plank for daring to stand up to the Texas marauders.”
Actually, the original plan was to send in Arnold as a candidate – Operation Kindergarten Cop they called it. That is, until we discovered that the largely Shiite Iraqis were inclined to choose a theocracy – that did not include any judges from Alabama.
Can one coerce another to be free?
“You’ve now got freedom of speech – you can say anything you want.”
“What’s that?”
“Oh, $hit, he said he was going to kill me.”
BANG.
“That’ll teach him.”
Do we have an obligation to coerce Iraqis to live in a very expensive “free” society?
Seems to me, the last thing we really want in our latest colony is democracy.
If a slave does not want any of the things his “massa” keeps from him, does that mean he was never a slave?
But what if he is persuaded by his liberators – at the point of a gun – that he does not want to be a slave anymore – instead he would like to be a busboy in the Hard Rock Cafe? Does that make him free – or just a slave to his new owner?
America has always worn stripes, plaid, and polka dots simultaneously when sitting down at the table with a totalitarian dictator dressed in olive drab and wearing more medals than Michael Jackson.
I mean, we accept Salvadoran, Bangladeshi, or even Saudi exploitation of human rights while damning Cuban, North Korean, or Iranian abuses….
Usually, (as was the case with Saddam) the despots we support are more “like us” than the people over whom they reign.
When we colonize, we really want one of two things: a society with a gross national product large enough for us to expand our own marketplace so that they too should pay at the pump – or one so desperate they are willing to work for nothing to make sure we can keep our Washington Redskins caps on the rack at 7-Eleven for $3.49, and have no idea what “pay at the pump” is – for they have never seen a pump, let alone owned a car.
If elections were held in most Arab monarchies, the result would be a society that differs even further from our own than it did before the election – I mean, “Hey, they had an election! – How much different do you want them to be?”
Despots may want capitalism without democracy while their subjects may want democracy without capitalism. Hmmmm… Which scenario most resembles our own?
We have big business buying the “resignation” of California’s governor – or spending more than the gross national product of the entire Third World’s population to impeach a president for getting a blow job. (Won’t somebody give George a blow job – he needs one so.) We have Texas legislators crossing state lines to be out of reach of their own sergeant at arms to prevent the redrawing of political boundaries. Does anyone remember Florida?
Not to mention that over half the eligible population never votes – but you would be hard pressed to find a single American who has never been to a McDonald’s.
As Louis Menand points out in the New Yorker, those citizens living under Saddam Hussein were not “happy slaves” – it does not follow that the things he and his deck of cards prevented Joe Iraqi from having were Wal-Marts, Bob’s Big Boys, and the Colonel’s Original Recipe. But they’re gonna get em.
So as New Yorkers stumble in the dark for one night – trying to eat all the ice cream in Manhattan before it melts and swapping anecdotes about fish in aquariums that died when the pump was turned off – remember, the shortest route to power is to keep the power on – and not let a would-be leader – elected or not – say, “Look what they have done to our country.”
It worked wonders for Rudolph Giuliani. I wonder how it is working for Saddam Hussein.
By: Chris Chandler
Boston, MA
08 15 03
How `bout this: I’m in a Sheraton hotel. That is because I was flying from our nation’s capitol to Montreal for a well deserved vacation. But due to the power outage in the Northeast – from Cleveland to Ottawa to Augusta to New York City – my connecting flight didn’t meet and I wound up here – in a luxury hotel on Delta’s tab.
The hotel is packed – all sorts of international travelers, most notably a 747 full of folks coming in from Istanbul.
For nearly 24 hours, New Yorkers have been without power. I was thinking: Well, maybe now if their water was cut – and then you interrupted the food supply – and you added foreign, non-English-speaking troops walking up and down every block – perhaps from a completely different culture – maybe wearing a fez, wooden shoes and Liederhosen (an image as foreign to us as that get-up George W was wearing on the deck of that aircraft carrier)… maybe then New Yorkers would start to get a glimpse of what life is like in Baghdad.
It is hard for us to imagine.
USA Today posted a photo of pedestrian commuters crossing the Brooklyn Bridge – and comparing it to 9-11. Everything gets compared to 9-11. Isn’t that why we checked into Motel Iraq? 9-11? Even though it is widely accepted that there is no connection, because Osama knew better than George’s son that Saddam’s secular tendencies did not resonate with his people. The Iraqi population is less likely to embrace the American concept of free-market capitalism than Saddam himself. Saddam always kinda liked the idea – if he could just gas his people into accepting the notion of drive-through windows.
So when Iraqis see how quickly we can get the lights back on in New York City, does it not follow that they should wonder if we are not dragging our feet intentionally in Baghdad? Or did they give Enron a deregulated deal on Baghdad Power and Light? Does anyone remember the rolling blackouts in California?
The Northeast was just slower at accepting deregulation than California. But still… it makes me wonder…
“Give em a few more weeks – then we’ll turn the lights on and they’ll think we are heroes.”
One seems to forget that the lights and water worked just fine before we started bombing.
Is our occupation all part of a coercion tactic to force Iraqis to trade in their turbans for Washington Redskins caps?
Bush guaranteed us that the U.S. – oops, I mean coalition forces – would check out of Motel Iraq when the Iraqis were able to elect a new government. But as it turns out, you can check out any time you like – but you can never leave.
Perhaps, instead of Operation Show Off Our Hi-Tech Weaponry, they should have sent Arnold Schwartzenegger in to “Total Recall” Saddam Hussein – put 672 names on a ballot and let them decide. But maybe that would have been more expensive – and maybe they would have wound up with the Iraqi equivalent of Arnold Schwarztenegger. After all, as Greg Palast has written, “Unlike Arnold Schwarzenegger, Gov. Gray Davis stood alone against the bad guys without using a body double. Davis called Reliant Corp. of Houston a pack of ‘pirates’ – and now he'll walk the plank for daring to stand up to the Texas marauders.”
Actually, the original plan was to send in Arnold as a candidate – Operation Kindergarten Cop they called it. That is, until we discovered that the largely Shiite Iraqis were inclined to choose a theocracy – that did not include any judges from Alabama.
Can one coerce another to be free?
“You’ve now got freedom of speech – you can say anything you want.”
“What’s that?”
“Oh, $hit, he said he was going to kill me.”
BANG.
“That’ll teach him.”
Do we have an obligation to coerce Iraqis to live in a very expensive “free” society?
Seems to me, the last thing we really want in our latest colony is democracy.
If a slave does not want any of the things his “massa” keeps from him, does that mean he was never a slave?
But what if he is persuaded by his liberators – at the point of a gun – that he does not want to be a slave anymore – instead he would like to be a busboy in the Hard Rock Cafe? Does that make him free – or just a slave to his new owner?
America has always worn stripes, plaid, and polka dots simultaneously when sitting down at the table with a totalitarian dictator dressed in olive drab and wearing more medals than Michael Jackson.
I mean, we accept Salvadoran, Bangladeshi, or even Saudi exploitation of human rights while damning Cuban, North Korean, or Iranian abuses….
Usually, (as was the case with Saddam) the despots we support are more “like us” than the people over whom they reign.
When we colonize, we really want one of two things: a society with a gross national product large enough for us to expand our own marketplace so that they too should pay at the pump – or one so desperate they are willing to work for nothing to make sure we can keep our Washington Redskins caps on the rack at 7-Eleven for $3.49, and have no idea what “pay at the pump” is – for they have never seen a pump, let alone owned a car.
If elections were held in most Arab monarchies, the result would be a society that differs even further from our own than it did before the election – I mean, “Hey, they had an election! – How much different do you want them to be?”
Despots may want capitalism without democracy while their subjects may want democracy without capitalism. Hmmmm… Which scenario most resembles our own?
We have big business buying the “resignation” of California’s governor – or spending more than the gross national product of the entire Third World’s population to impeach a president for getting a blow job. (Won’t somebody give George a blow job – he needs one so.) We have Texas legislators crossing state lines to be out of reach of their own sergeant at arms to prevent the redrawing of political boundaries. Does anyone remember Florida?
Not to mention that over half the eligible population never votes – but you would be hard pressed to find a single American who has never been to a McDonald’s.
As Louis Menand points out in the New Yorker, those citizens living under Saddam Hussein were not “happy slaves” – it does not follow that the things he and his deck of cards prevented Joe Iraqi from having were Wal-Marts, Bob’s Big Boys, and the Colonel’s Original Recipe. But they’re gonna get em.
So as New Yorkers stumble in the dark for one night – trying to eat all the ice cream in Manhattan before it melts and swapping anecdotes about fish in aquariums that died when the pump was turned off – remember, the shortest route to power is to keep the power on – and not let a would-be leader – elected or not – say, “Look what they have done to our country.”
It worked wonders for Rudolph Giuliani. I wonder how it is working for Saddam Hussein.
Sunday, August 10, 2003
MfD OpenForum : Anne Feeney, The Newest MFD Member But back to the point of this thread; Ann is a true real life working person's hero. She has traveled North America writing and singing songs about and for workers. She is the grandaughter of a Union organizer who worked in the steel mills of Pennsylvania. The struggles and values she learned early in life have stayed with her, and she has carried that message wherever she has performed.
I like to think of Ann as slightly irreverent. We were returning from the rally in Jefferson WI in April, and it was a long tiring drive. I had bought her CD Have You Been To Jail For Justice, and it was playing in the background din of a car full of people. I heard a tune that i absolutely love (the Woody Guthrie ballad Deportee), being played. Parodied is a better definition, given the change in lyrics. It was entitled CEO's (The Plane Wreck At Tuzla). In it, she lampoons the death of Ron Brown, and the fact the CEO's were over shopping for cheap labor. While it is sharp and controversial, it is also the kind of music Ann has the courage to sing.
The battle for worker justice is never easily fought, nor won. Singing songs, motivating and inspiring workers thru music is an old and proven meathod of creating activism. Ann is a master at it. If you doubt my word, take in one of Ann's performances, and you will quickly see why her appearance on MFD is such a breakthrough.
[ 08-07-2003, 07:43 AM: edited by: Bill Pearson ]
I like to think of Ann as slightly irreverent. We were returning from the rally in Jefferson WI in April, and it was a long tiring drive. I had bought her CD Have You Been To Jail For Justice, and it was playing in the background din of a car full of people. I heard a tune that i absolutely love (the Woody Guthrie ballad Deportee), being played. Parodied is a better definition, given the change in lyrics. It was entitled CEO's (The Plane Wreck At Tuzla). In it, she lampoons the death of Ron Brown, and the fact the CEO's were over shopping for cheap labor. While it is sharp and controversial, it is also the kind of music Ann has the courage to sing.
The battle for worker justice is never easily fought, nor won. Singing songs, motivating and inspiring workers thru music is an old and proven meathod of creating activism. Ann is a master at it. If you doubt my word, take in one of Ann's performances, and you will quickly see why her appearance on MFD is such a breakthrough.
[ 08-07-2003, 07:43 AM: edited by: Bill Pearson ]
Monday, August 04, 2003
Sunday, August 03, 2003
SEE THE AD THE DEMOCRATS SHOULD HAVE MADE!
180K Flash movie - Huck/Konopacki Labor Cartoons
Union Maid Animated by Mike Konopacki
Song lyrics by Woody Guthrie - Music by Anne Feeney
Saturday, July 26, 2003
Henfling's Firehouse Tavern - Ben Lomond - Home of Rockin' Blues, Burgers Chris Chandler & Anne Feeney Monday July 28 8pm $8 adv./ $10 door
Chris Chandler and Anne Feeney are thrilled to release their brand new long awaited Live CD called 'Live from the Wholly Stolen Empire.' It was recorded along the thin highways of fat America at venues including Henfling's. Now this summer the diabolical duo will make a victory lap to the venues where it was recorded. Their song 'Twenty-first Century Skid Row Man' was taped at Henfling's in January -- the response to their raucous set was so tremendous there was simply no way that a cut from this quirky biker bar in Ben Lomond would not make the cut. The whole CD is recorded in some of the coolest venues in North America and Chris and Anne are excited to be returning. '...the most creatively radical performers on the coffee house circuit.' - Boston Herald Anne: http://www.annefeeney.com Chris: http://www.primecd.com/chandler.htm Dinner starts at 6pm: FEATURING THE RAUCOUS VEGGIE PLATTER
Chris Chandler and Anne Feeney are thrilled to release their brand new long awaited Live CD called 'Live from the Wholly Stolen Empire.' It was recorded along the thin highways of fat America at venues including Henfling's. Now this summer the diabolical duo will make a victory lap to the venues where it was recorded. Their song 'Twenty-first Century Skid Row Man' was taped at Henfling's in January -- the response to their raucous set was so tremendous there was simply no way that a cut from this quirky biker bar in Ben Lomond would not make the cut. The whole CD is recorded in some of the coolest venues in North America and Chris and Anne are excited to be returning. '...the most creatively radical performers on the coffee house circuit.' - Boston Herald Anne: http://www.annefeeney.com Chris: http://www.primecd.com/chandler.htm Dinner starts at 6pm: FEATURING THE RAUCOUS VEGGIE PLATTER
Sunday, July 20, 2003
Friday, July 18, 2003
A trio of troubadors
(full article) Peter, Paul & Mary to headline Summer Symphony 2003 by Robyn Israel
Yarrow, along with band mates Noel Paul Stookey and Mary Travers, will headline "Summer Symphony 2003," an annual benefit concert for the Children's Health Council, a Palo Alto-based nonprofit dedicated to assisting children with complex behavioral and developmental challenges. Peter Paul & Mary's appearance at this year's concert seems a perfect fit, given the trio's 40-year-old history of aligning their music with social causes and solutions.
A newer song in their repertoire, entitled "Don't Laugh At Me," should appeal to youngsters in attendance on Sunday at Frost Amphitheater. Penned by Bay Area songwriter Steve Seskin and Allen Shamblin, the tune laments the situations of disenfranchised individuals, such as "the little boy with glasses, the one they call a geek, who cries himself to sleep" to "the single teenage mother" to the "cripple on the corner."
"It relates very powerfully to the crisis in the nation," Yarrow said, breaking into song during the interview.
The recent turmoil in the world has spurred Peter, Paul & Mary to perform songs that relate to the current global situation, such as "Have You Been to Jail for Justice," by Anne Feeney, 30-year-old acquaintance of Yarrow's.
A trio of troubadors
(full article) Peter, Paul & Mary to headline Summer Symphony 2003 by Robyn Israel
Yarrow, along with band mates Noel Paul Stookey and Mary Travers, will headline "Summer Symphony 2003," an annual benefit concert for the Children's Health Council, a Palo Alto-based nonprofit dedicated to assisting children with complex behavioral and developmental challenges. Peter Paul & Mary's appearance at this year's concert seems a perfect fit, given the trio's 40-year-old history of aligning their music with social causes and solutions.
A newer song in their repertoire, entitled "Don't Laugh At Me," should appeal to youngsters in attendance on Sunday at Frost Amphitheater. Penned by Bay Area songwriter Steve Seskin and Allen Shamblin, the tune laments the situations of disenfranchised individuals, such as "the little boy with glasses, the one they call a geek, who cries himself to sleep" to "the single teenage mother" to the "cripple on the corner."
"It relates very powerfully to the crisis in the nation," Yarrow said, breaking into song during the interview.
The recent turmoil in the world has spurred Peter, Paul & Mary to perform songs that relate to the current global situation, such as "Have You Been to Jail for Justice," by Anne Feeney, 30-year-old acquaintance of Yarrow's.
Thursday, July 10, 2003
The Freight & Salvage Coffee House
Chris Chandler & Anne Feeney Wednesday, July 23, 2003
Advance tickets: $15.50 Door opens 7:30 PM Music 8:00 PM
sharp, witty collage of folk, poetry & politics
The Flying Poetry Circus is coming to town! Renowned rabble-rouser and unionmaid Anne Feeney and acrobatic performance poet Chris Chandler roll up with their "metaphoric highwire act," a dynamic concoction of rousing music, "folken word" poetry, and humor that inspired the Boston Herald to call them "The most creatively radical performers on the coffee house circuit." Pittsburgh native Anne, who has spent decades putting her songs and body on the front line of the labor movement, possesses a seemingly limitless repertoire of activist songs that provides the musical counterpoint to Georgia-born Chris' vaudvillean presentation of beat poetry and road tales from his journeys. Celebrating the release of their new album, the aptly named Flying Poetry Circus, Anne and Chris present live their highly theatrical collage of songstress, southern preacher, and wandering minstrel show, all in the cause of working people's solidarity.
Chris Chandler & Anne Feeney Wednesday, July 23, 2003
Advance tickets: $15.50 Door opens 7:30 PM Music 8:00 PM
sharp, witty collage of folk, poetry & politics
The Flying Poetry Circus is coming to town! Renowned rabble-rouser and unionmaid Anne Feeney and acrobatic performance poet Chris Chandler roll up with their "metaphoric highwire act," a dynamic concoction of rousing music, "folken word" poetry, and humor that inspired the Boston Herald to call them "The most creatively radical performers on the coffee house circuit." Pittsburgh native Anne, who has spent decades putting her songs and body on the front line of the labor movement, possesses a seemingly limitless repertoire of activist songs that provides the musical counterpoint to Georgia-born Chris' vaudvillean presentation of beat poetry and road tales from his journeys. Celebrating the release of their new album, the aptly named Flying Poetry Circus, Anne and Chris present live their highly theatrical collage of songstress, southern preacher, and wandering minstrel show, all in the cause of working people's solidarity.
Saturday, July 05, 2003
Vancouver Island Music Fest July 4, 5 and 6 Courtney BC
Chris Chandler and Anne Feeney: New Stage - Saturday - 2:00 PM; Roland Stage - Sunday - 11:45 AM; Woodland Stage - Sunday - 5:10 PM;
Chris Chandler is a veteran of the road. As a wandering poet and musician, he has been Traveling the thin Highways of fat America. Few performers can lay claim to on the roadisms the way Chandler can. Over the past seven years he has blazed a trail from Edmonton to Guadalajara, Halifax to Baja. Over a million miles in seven years - three vehicles - two Volkswagens and a Chevrolet. He has lived in a car and performed on the very streets that wrap around his universal joint. In addition to his wandering, ramblings, and writings, he has shared the stage with vanguard writers and performers such as Pete Seeger, Tom Paxton, Allen Ginsberg, Peter Yarrow, Ramblin' Jack Elliot, Ferron, Leo Kottke, T. Bone Burnett, Michael Smith and Earl Robinson. Also he has shared the stage with more contemporary acts such as Ani Difranco, Mojo Nixon, Vic Chestnut, Trout Fishing in America, Dan Bern, Jim Infantino, Don White, Ellis Paul, Pierce Pettis, David Wilcox, and Roger Manning.
Touring with Chris is minstrel Anne Feeney. Based in Pittsburgh, PA, Feeney is the granddaughter of an intrepid mineworkers' organizer, who also used music to carry the message of solidarity to working people. After two decades of community activism and regional performances at rallies, Anne took her message on the road. Since 1991 Anne has traveled to the frontlines in 40 states, Canada, Mexico, Ireland and Sweden. Her anthem "Have You Been to Jail for Justice?" is being performed by Peter, Paul and Mary. Dubbed the 'minister of culture' to the movements for economic and social justice and human rights, Anne is 'the best labor singer in North America' according to Utah Phillips.
Chris Chandler and Anne Feeney: New Stage - Saturday - 2:00 PM; Roland Stage - Sunday - 11:45 AM; Woodland Stage - Sunday - 5:10 PM;
Chris Chandler is a veteran of the road. As a wandering poet and musician, he has been Traveling the thin Highways of fat America. Few performers can lay claim to on the roadisms the way Chandler can. Over the past seven years he has blazed a trail from Edmonton to Guadalajara, Halifax to Baja. Over a million miles in seven years - three vehicles - two Volkswagens and a Chevrolet. He has lived in a car and performed on the very streets that wrap around his universal joint. In addition to his wandering, ramblings, and writings, he has shared the stage with vanguard writers and performers such as Pete Seeger, Tom Paxton, Allen Ginsberg, Peter Yarrow, Ramblin' Jack Elliot, Ferron, Leo Kottke, T. Bone Burnett, Michael Smith and Earl Robinson. Also he has shared the stage with more contemporary acts such as Ani Difranco, Mojo Nixon, Vic Chestnut, Trout Fishing in America, Dan Bern, Jim Infantino, Don White, Ellis Paul, Pierce Pettis, David Wilcox, and Roger Manning.
Touring with Chris is minstrel Anne Feeney. Based in Pittsburgh, PA, Feeney is the granddaughter of an intrepid mineworkers' organizer, who also used music to carry the message of solidarity to working people. After two decades of community activism and regional performances at rallies, Anne took her message on the road. Since 1991 Anne has traveled to the frontlines in 40 states, Canada, Mexico, Ireland and Sweden. Her anthem "Have You Been to Jail for Justice?" is being performed by Peter, Paul and Mary. Dubbed the 'minister of culture' to the movements for economic and social justice and human rights, Anne is 'the best labor singer in North America' according to Utah Phillips.
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